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kingdomblade:

My entry for the Guardians of the Galaxy Design Contest! I found out about this contest a few days before the deadline and knew I had to enter. I wanted to try a different kind of scene than one might expect from these two and after tinkering around I came out with something that I couldn’t be more proud of. Drawing all the branches and the ivy wreath was an interesting challenge, I’ll tell you that.

If you like the design and think it would make for a cool shirt I would really appreciate if if you rate and share my entry! Winning at any of the levels would mean a lot to me, so please stop by and don’t forget to check out the other entries as well! There’s a lot of fantastic stuff for sure.

[Also, note that you will need an account to rate and view designs but it only takes a moment!]

Casual reminder to sign up and rate my design if you haven’t already! I’d be super appreciative.

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21 minutes ago
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#gotg

worlds fastest repeating bg tutorial

alexinglasses:

So make a new file in photoshop like this…

image

now create whatever it is that you want, make sure it’s centred in the square then duplicate the layer

image

now go to filter>other>offset 

image

set the offset to half of the width and height of the box and select the “Wrap around” thingy

save as a png and then apply as your background

image

bam

hope that was helpful!

(Source: baebot)

temiree:

I decided to experiment with a new style on this character design! Nothing too different, but I don’t recall doing a lineless, cel-shaded drawing before. I turned off the sketch layer and the colors popped in such a way that it gave me the idea to do this. I’ll post the original version of this in my next sketch dump!
high resolution →

temiree:

I decided to experiment with a new style on this character design! Nothing too different, but I don’t recall doing a lineless, cel-shaded drawing before. I turned off the sketch layer and the colors popped in such a way that it gave me the idea to do this. I’ll post the original version of this in my next sketch dump!

Mannn, like 90% of Tumblr is hyped for Big Hero 6, 90% of the people I know are hyped for Big Hero 6, I’m really hyped for Big hero 6, and Disney seems to be REALLY pushing it too. I really hope it can follow Frozen’s popularity, it looks like it deserves the love so much.

sketchamagowza:

Word Balloon tips and tricks

art-of-kingdomblade:

Reworking Annie was a little bit of a pain - not because she needed a heavy redesign or took a long time to draw or anything, but because it took ages to make her palette actually work. The first time I put colors on this girl was way back in 2009, and man I’m glad I’m better with colors than I was back then! What was I thinking?
high resolution →

art-of-kingdomblade:

Reworking Annie was a little bit of a pain - not because she needed a heavy redesign or took a long time to draw or anything, but because it took ages to make her palette actually work. The first time I put colors on this girl was way back in 2009, and man I’m glad I’m better with colors than I was back then! What was I thinking?

samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.

From Left to Right, Top to Bottom:

What NOT to do (front):

  • Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
  • Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
  • Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!

What to do (front)

  • Keep both eyes open
  • Bend your elbows downwards and towards the ground to make yourself a smaller target
  • Bend your knees to control the gun’s recoil + be ready to move.

What NOT to do (side)

  • Don’t put the stock above your shoulder
  • Don’t lean back.
  • Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.

What to do (side)

  • Bury the stock of the rifle into the meaty part of your shoulder
  • Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
  • Bend your knees slightly to lean forward, as well as make yourself a smaller target

Patrol/Relaxed Stance

  • The soldier is relaxed and is most likely moving around.
  • His eyes are searching for possible threats
  • His hands are still on the rifle, even if he has a sling on

Low Ready Stance

  • Possible threat has been detected
  • Entire body shifts towards threat direction
  • Stock is shouldered 
  • Eyes are focused on the possible target
  • Gun barrel is pointed in the target’s general direction, but not directly at the target.

Firing Stance

  • Immediate response
  • Soldier fires off shots while screaming to the other people in his team
  • "CONTACT!" or "THREAT!"

plays

sno4wy:

How To Draw Better In 2 Minutes

Note: I did not create this video. Follow the link to Youtube for all pertinent information.
coffeeandcockatiels:

paperbeatsscissors:

the struggle is real


Tiniest foot tutorial. Can add toes or just have shoe. Is good. Have day.
high resolution →

coffeeandcockatiels:

paperbeatsscissors:

the struggle is real

Tiniest foot tutorial. Can add toes or just have shoe. Is good. Have day.

curryuku:

foervraengd:

elliotoille:

felt like doing a tutorial thingy (what should I call these??) again! I think I’ll make a tag for these in case I do more. This time I’m gonna talk a little about how angles affect how clothing falls aaaand stuff. here we go…
Given: The first drawing of these three is how the clothing naturally wants to fall, how it is made to be shaped. Or, whichever pose you could take that will give the garment the least amount of creases.
I’ll actually talk about the green first; this is a representation of the hip box, which itself is a representation/simplification of your whole pelvis area. You see how your legs and hip box oppose angles here. in almost all poses except standing straight, your hip box and legs will create a bent angle, which affects how clothes fall.
The red/blue is the skirt (obvs), the red specifically is the ellipses of the top and bottom openings of the skirt. This skirt is very stiff material for the sake of this example, so notice how the two ellipses always match eachother. the top ellipse is where the skirt is actually attached to the body, so it’s the boss; the bottom ellipse will more or less do exactly what the top one does.
here’s where the fact that the legs and hip box are at different angles becomes important. The top of the skirt is attached to the hip box, but the bottom ellipse is in the realm of the legs. The orange lampshade shape diagram there is a simplification of this. It is very much like if you were to tilt a lampshade. The side you are bending towards will hug the body and create creases. The side you are bending away from will fall off the body in a straight line.

It even works with pants, though as the bottom ellipse(s) gets farther away from the top there’s more room for the garment to get distorted by gravity, perspective, and bent knees and such. But with this last example you can really see how the side touching the legs really hugs the body underneath, whereas the other side hangs off of it in a straighter, crease-less line.
Dresses are a little different because their top ellipse is attached to your torso/ribcage mass rather than the hip box.

Much of the time you get the same result as with a skirt. However if the hip box and ribcage mass are opposed sideways rather than forward or backward, it becomes a little tougher:

You can see in the third drawing how a shirt and a skirt together would fall in opposite ways if your body is bent sideways. If the shirt is long, just like I mentioned above about the long pants, there is more distortion of this effect.
I’ll take what I said above, “The side you are bending away from will fall off the body in a straight line”, and add a bit to the end: “… until it hits something.” In the fourth drawing above, the garment is falling off the body in a straight line on the right side. If you lengthen the garment:

The straight side continues down as normal until it hits the leg and becomes the body-hugging side. in response to that, the body-hugging side from farther up becomes the straight side when it falls off the hip.
Aaand with that I think I’ll stop lol. I hope that wasn’t hard to understand. It’s easy to do yourself, just wear a skirt or some loose pajama pants and take hula poses in the mirror lol.

For all of you who have been longing for ME to make a tutorial about clothes, I truly recommend you to read this post. Since it covers the area in clothing that many other tutorials never mention, clothing is more than just “drawing folds and wrinkles”, it’s about knowing how the design and the behavior of our bodies affect it.
So yeah.
Read this. Please. It’s so easy explained.

rebloging for future reffs
high resolution →

curryuku:

foervraengd:

elliotoille:

felt like doing a tutorial thingy (what should I call these??) again! I think I’ll make a tag for these in case I do more. This time I’m gonna talk a little about how angles affect how clothing falls aaaand stuff. here we go…

Given: The first drawing of these three is how the clothing naturally wants to fall, how it is made to be shaped. Or, whichever pose you could take that will give the garment the least amount of creases.

  • I’ll actually talk about the green first; this is a representation of the hip box, which itself is a representation/simplification of your whole pelvis area. You see how your legs and hip box oppose angles here. in almost all poses except standing straight, your hip box and legs will create a bent angle, which affects how clothes fall.
  • The red/blue is the skirt (obvs), the red specifically is the ellipses of the top and bottom openings of the skirt. This skirt is very stiff material for the sake of this example, so notice how the two ellipses always match eachother. the top ellipse is where the skirt is actually attached to the body, so it’s the boss; the bottom ellipse will more or less do exactly what the top one does.
  • here’s where the fact that the legs and hip box are at different angles becomes important. The top of the skirt is attached to the hip box, but the bottom ellipse is in the realm of the legs. The orange lampshade shape diagram there is a simplification of this. It is very much like if you were to tilt a lampshade. The side you are bending towards will hug the body and create creases. The side you are bending away from will fall off the body in a straight line.

imageimage

It even works with pants, though as the bottom ellipse(s) gets farther away from the top there’s more room for the garment to get distorted by gravity, perspective, and bent knees and such. But with this last example you can really see how the side touching the legs really hugs the body underneath, whereas the other side hangs off of it in a straighter, crease-less line.

Dresses are a little different because their top ellipse is attached to your torso/ribcage mass rather than the hip box.

image

Much of the time you get the same result as with a skirt. However if the hip box and ribcage mass are opposed sideways rather than forward or backward, it becomes a little tougher:

image

You can see in the third drawing how a shirt and a skirt together would fall in opposite ways if your body is bent sideways. If the shirt is long, just like I mentioned above about the long pants, there is more distortion of this effect.

I’ll take what I said above, “The side you are bending away from will fall off the body in a straight line”, and add a bit to the end: “… until it hits something.” In the fourth drawing above, the garment is falling off the body in a straight line on the right side. If you lengthen the garment:

image

The straight side continues down as normal until it hits the leg and becomes the body-hugging side. in response to that, the body-hugging side from farther up becomes the straight side when it falls off the hip.

Aaand with that I think I’ll stop lol. I hope that wasn’t hard to understand. It’s easy to do yourself, just wear a skirt or some loose pajama pants and take hula poses in the mirror lol.

For all of you who have been longing for ME to make a tutorial about clothes, I truly recommend you to read this post. Since it covers the area in clothing that many other tutorials never mention, clothing is more than just “drawing folds and wrinkles”, it’s about knowing how the design and the behavior of our bodies affect it.

So yeah.

Read this. Please. It’s so easy explained.

rebloging for future reffs